A Two-Colored Brocade: The Imagery of Persian Poetry by Annemarie Schimmel
By Annemarie Schimmel
Annemarie Schimmel, one of many world's most excellent gurus on Persian literature, presents a complete advent to the complex and hugely refined method of rhetoric and imagery utilized by the poets of Iran, Ottoman Turkey, and Muslim India. She indicates that those photos were used and sophisticated over the centuries and replicate the altering stipulations within the Muslim world.
According to Schimmel, Persian poetry doesn't goal to be spontaneous in spirit or hugely own in shape. in its place it really is rooted in conventions and principles of prosody, rhymes, and verbal instrumentation. preferably, each verse might be like a beneficial stone--perfectly shaped and multifaceted--and express the dynamic courting among daily truth and the transcendental.
Persian poetry, Schimmel explains, is extra just like medieval eu verse than Western poetry because it has been written because the Romantic interval. The attribute verse shape is the ghazal--a set of rhyming couplets--which serves as a automobile for shrouding in traditional tropes the poet's genuine intentions.
Because Persian poetry is neither narrative nor dramatic in its total shape, its energy lies in an "architectonic" layout; every one accurately expressed photo is punctiliously outfitted right into a development of associated figures of speech. Schimmel exhibits that at its middle Persian poetry transforms the area right into a net of symbols embedded in Islamic culture.
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Extra resources for A Two-Colored Brocade: The Imagery of Persian Poetry
Whether you are using a historical-biographical approach as your sole perspective or using it to complement another means of analysis, you will find the following questions to be helpful aids to thinking and organizing your ideas. ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Where does this work fit into the chronology of the author’s published works? Are the events of the plot based on the author’s own experiences? How old was the author when the text was written? Is the setting (time and place) one in which the author lived?
A Glossary of Literary Terms. 8th ed. Boston: Thomson, Wadsworth, 2005. Adams, Hazard, and Leroy Searle, eds. Critical Theory since 1965. Tallahassee: Florida State University Press, 1986. Copyright 2011 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience.
They also include lists of printed sources that can help you find information about the approach you are using to analyze a poem or a piece of fiction. You can also set up some collaborative efforts of your own, as well as refer to additional electronic and printed aids that can help you with just about everything from comma splices to the composing process in general. Here are some suggestions for both collaboration and more impersonal assistance. Collaboration One myth about writing is that it is a solitary activity.